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Literature Text
i. sprain
there was the way
you held things
given to you
and the way
you held things
you had taken
for yourself
the way you carried
a glass of water
down the stairs
and the way you
almost clasped your hands
to turn the pages
of a catalog
now
all you're holding
are trembled bones
around
a wrenched
but unbroken
agony
where nothing
was before.
ii. big bang in watercolor
i over-water
the paints
and layer after layer
nothing happens.
i step away
to let them dry
and when i return
the colors have exploded
on their own.
iii. leaf pile
the light comes
as it always does
from a burning
and something
seems to burn
like that
in me.
were i to stop
and ponder all notions
as they unfold
it might occur to me
that they curl into each other
puckering
as if burnt
into some final
single thing:
the willingness
to wait
for nothing,
perhaps--
or the diminishment
of remnants
always tending
outward.
but i find it
so hard to stop
for nothing.
instead i rake extra leaves
onto the pile
for a little more
light.
it comes.
there was the way
you held things
given to you
and the way
you held things
you had taken
for yourself
the way you carried
a glass of water
down the stairs
and the way you
almost clasped your hands
to turn the pages
of a catalog
now
all you're holding
are trembled bones
around
a wrenched
but unbroken
agony
where nothing
was before.
ii. big bang in watercolor
i over-water
the paints
and layer after layer
nothing happens.
i step away
to let them dry
and when i return
the colors have exploded
on their own.
iii. leaf pile
the light comes
as it always does
from a burning
and something
seems to burn
like that
in me.
were i to stop
and ponder all notions
as they unfold
it might occur to me
that they curl into each other
puckering
as if burnt
into some final
single thing:
the willingness
to wait
for nothing,
perhaps--
or the diminishment
of remnants
always tending
outward.
but i find it
so hard to stop
for nothing.
instead i rake extra leaves
onto the pile
for a little more
light.
it comes.
expressing the suddenness of existence...especially regarding vivid things like light and pain, the strangeness in only half-recalling its absence, its overbearing nature. its irrefutable nature.
the way things are sometimes obscured by what they cause, like smoke obscuring its flame.
the way regret works--trying to find our way back to cause, as if it would erase or even dull the effects that followed. and being dismayed, because how far back do you go, when relief never comes from the practice?
the ultimate begins to feel encompassing--not just what waits finally, but what came before absolutely.
the tautness between cause and effect, between source and result, beginning and end and the vertigo of the present.
it's interesting to regard emotion as a result of the universe...the cosmos as the source of emotion. we live in a universe where feeling the way we feel is not only possible, but inevitable (and if you are divinely inclined--intended). it is a good thing to think about.
that the workings of the universe have resulted in overwhelming senses of wholeness, joy, grief, beauty, certainty, mystery, benevolence, elation, anguish and an overflowing that comes from simply looking around on this one planet.
© 2013 - 2024 Anthony-Ryan
Comments8
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so wonderful to read these again.